A year earlier the Topkapi Palace, which had formerly been the seat of the Ottoman Sultans, had been turned into a museum. A color photograph taken for Albert Kahn's "Archive of the Planet" project, using the Lumiere brothers' autochrome process, was taken on November 24, 1922 in the palace. It features the gigantic throne upon which the Sultans had sat.

The Ottoman Sultanate had lasted from 1299 until the start of the 20th century, but it reached its peak of prosperity and power in the 16th century. The ruler who schemed to invade Christian European territory was the second Ottoman Caliph, Suleiman I. In 1521 Belgrade, capital of Serbia, had been captured by the Turks, and in August 1526 southern Hungary had become a Turkish dependency after the Battle of Mohacs. Three years later, the Siege of Vienna took place. Suleiman's forces failed to take the city, and apart from a second attempt to invade Vienna in 1683, this was the furthest that the Turks pushed into the European heartland.

Suleiman I inherited some of his father's cruelty. When he saw rivalry between two of his sons, Bayezid and Selim, he ordered that Bayezid be killed. After Suleiman's death, Selim II became ruler and Caliph, but he was a drunkard and a womanizer who was unable to harness the military gains made by his father and grandfather. He never led his army on a campaign, and left most of the governing of the empire to Pashas. Selim II died on December 5, 1574 in Istanbul.

Selim II's son Murad III ascended the Sultan's throne. Murad's mother Afife Nur Banu Sultana was of Venetian in origin. His wife Safiye had also come from Venice and had belonged to a noble family. She had been captured in her youth by Turkish pirates, and become a slave. Sultana Safiye was Murad III's favorite wife, and wielded some power.

Under the rule of Murad III, Safiye had assisted in softening the role of the Ottoman Sultanate towards the nations of Western Europe. Skilled in diplomacy, she seems to have had a special affinity for the England of Queen Elizabeth I. Perhaps the Protestantism of the English monarch was seen as a beneficial ally against the "United Europe" represented by the Catholic Holy Roman Empire.

Elizabeth saw Spain as a threat at this time, with good reason. Philip II of Spain (ruled from 1556 - 1598) had been married to Mary, Elizabeth's Catholic half-sister. Mary had ruled from 1553 to 1558 and had returned England to Catholicism. Until his death, Philip II saw England as his rightful territory and inheritance. In 1581, Philip annexed Portugal. England had conducted trade with the East overland through Russia, but this route could not be guaranteed to stay open.

Following a diplomatic mission to Constantinople in 1575 by the agents of two wealthy London traders, an emissary was sent to Ottoman capital. This individual, William Harborne of Norfolk, arrived in October 1578 after a three month voyage overland. He took up residence in the "Porte" and traded under the French flag. His presence was initially to act for the traders, Edward Osborne and Richard Staper. This arrangement was soon extended by both Elizabeth and Murad III.

On March 15, 1579, Murad wrote to Elzabeth of Harborne's mission: "In most friendly manner we give you to understand, that a certain man hath come unto us in the name of your most excellent Regal Maiesty, commending unto us from you all kindness, courtesy,  and friendly offices on your part, and did humbly require that our Imperial highness would vouchsafe to give leave and liberty to him and unto two other merchants of your kingdom..."

In early June 1580, Murat IIII granted a charter of privileges to English traders in Turkey. At that time the charter was made, only the French and Venetians had been allowed to trade.

On September 11, 1581, Queen Elizabeth granted exclusive trading privileges to 16 individuals, including Staper and Osborne,. This agreement led to the founding of the Levant Company.

Letters from Sultana Safiye to Queen Elizabeth were pleasant, if over-written: "I send your Majesty so honorable and sweet a salutation of peace that all the flock of Nightingales with their melody cannot attain to the like, much less this simple letter of mine. The singular love which we have conceived one toward the other is like to a garden of pleasant birds..."

On June 26, 1581, Elizabeth had written to Murad III to reassure him that the actions of a rogue Englishman, Peter Blake of Ratcliffe, would meet with severe punishment. In his ship the Roe, Blake had committed acts of piracy against Ottoman subjects at sea. The Sultan was addressed as "the most renowned and imperious Caesar, Sultan Murad Can, Emperor of all the dominions of Turkey, and of all the East Monarchy chief above all others whosoever, most fortunate years with the success of all true happiness."

William Harborne traveled to Turkey as official ambassador for Queen Elizabeth in a tall ship, the Susan. The ship arrived at Constantinople  on March 26 1583. It would be some time before Harborne would be granted a personal audience with Murad III. Gifts were brought in to the Sultan, carried by twelve men. These included cloth, gilded silverware, bottles and ceramics and even hunting dogs dressed in coats of silk. The gift which seems to have impressed Murad most was a clock.

Until his retirement in 1588, William Harborne persuaded Murad III not to side with the Spanish against Britain, and English trade with the Ottomans flourished. Harborne was replaced by Edward Barton who acted as ambassador until December 1597 when he died of dysentery. His successor was Henry Lello, an individual whose air of constant worry gave rise to his nickname "Fog".

Thomas Dallam's Organ

Harborne's presentation of the clock appeared to have inspired the next proposed gift to the Sultan - a large organ. This instrument, covered in baroque embellishments, was to be manufactured by Thomas Dallam, one of the leading organ manufacturers in the country. Dallam came from a village near Warrington in Lancashire, and was commissioned to design and construct the instrument.

Unfortunately, the Sultan had died on January 7, 1595. Murad III had suffered all his life from epilepsy and had been killed by a severe grand mal fit, probably combined with a stroke. The news was sent back to Elizabeth's court by the ambassador, Edward Barton, in his fortnightly dispatches. He wrote on January 11: "105 (the embassy's code for Murad III, while Elizabeth was called 9) is extreame sick, some say deade and his sonne sent for out of Magnesia in Natolia."

"This is the English, not the Turkish court;

Not Amurath an Amurath succeeds,

But Harry, Harry."

The Sultana, now the Queen Mother, continued to play an important role in Ottoman political life. It was decided that the organ should be sent to the new Sultan. Accompanying it would also be a coach, worth £600, for Safiye, the Queen Mother.

The organ - special gift to the new Sultan, Mehmet III - was presented to Queen Elizabeth in November 1598 for her to inspect. As well as being able to be played normally, the organ was also an automaton - which could play pieces of music automatically. It contained a clock that chimed a carillon of bells, and small ornaments on the instrument would move.

Thomas Dallam was to travel with the instrument, which was dismantled and packed into cases with straw. He ordered clothes for himself, and also two virginals, so he could amuse himself on the voyage by practicing his musical and keyboard skills. The ship he traveled on was The Hector. This left Gravesend on Tuesday February 13, 1599. On Wednesday August 15, the Hector reached Constantinople.

Though he had not been formally educated to any high level, Dallam wrote down his experiences of the journey in a diary. This journal is housed in the British Museum (Additional Manuscript 17,480). The diary was finished too late to appear in Richard Hakluyt's anthology of travel manuscripts, nor did it appear in Purchas' "His Pilgrimes". Samuel Purchas continued to publish Hakluyt's documents posthumously. From the time Dallam's diary was completed in 1600 until the late 19th century its history is unknown.

In 1893, the Hakluyt Society published the text in a book  entitled "Early Voyages and Travels in the Levant" which included extracts from the journal of Dr John Covel (1638 - 1722) who worked for the Levant Company in Constantinople as a chaplain.

Dallam's account of his journey is lacking in pretension. His spelling follows no order. The Hector had set its anchor beside the Seven Towers at Constantinople, the Ottoman state prison. Dallam would not inspect his cargo on the Sunday, as he was a devout Christian. He wrote: "The twentieth day (of August 1599), being Monday, we began to look into our work: but when we opened our chests we found that all gluing work was clean decayed, by reason that it had lain above six months in the hold of the ship, which was but newly built, so that the extremity of the heat in the hold of the ship, with the working of the sea and the hotness of the country, was the cause that all the gluing failed; likewise divers of my metal pipes were bruised and broken."

William Aldridge, consul at Chios. was present, and said the organ was not worth two pence. Dallam deliberately avoided mentioning his response to Aldridge. The chests were taken to the consul's house at Vines of Pera, the diplomatic quarter. Dallam and his assistants set to work restoring the organ, spurred on by an offer from Aldridge of a £15 bonus.

On August 28th the Hector, now situated outside the Sultan's palace, saluted Mehmed III with its 27 cannon. This led to a fatal accident. Dallam wrote that while one of the toughest seaman "was ramming in his cartridge of powder, some fire being left in the breech of the piece, the powder took fire and blew that man quite away in the smoke; about 3 days after all his lower part, from his waist downward, was found two mile from that place, and his head in another place."

In early September, the Sultan was visiting his mother Safiye at one of her residences. The restoration and repairs were complete, and on September 11 the organ was carried into the Sultan's palace. This was called the seraglio - a name which referred to the harem quarters where Mehmed's concubines were housed - but was the main palace of the Ottoman rulers. Close to the Topkapi Palace was housed the main seat of the "Sublime Porte" - a name for the Ottoman government.

The building of the Topkapi Palace in Constantinople had commenced in the mid 15th century under the supervision of Mehmed II. The palace would be the main residence of Sultans and their retinues until the 19th century. At the start of the 20th century, the palace became a museum. In the time of Mehmed III, it was the home for the concubines, and also Sultana Safiye, as well as other staff, including Mehmed's dwarfs, who would dress in gold brocade with swords at their sides, and also his deaf-mutes.

Dallam wrote: "At every gate of the seraglio there always sits a stout Turk, about the calling or degree of a justice of the peace, who is called a ‘chia'; not withstanding, the gates are fast shut, for there passes none in or out at their own pleasure."

He described the various courtyards and gardens he and his associates had to pass through, before reaching a building where the organ was to be reassembled. On the same day, the coach was been delivered by Paul Pinder, ambassador Henry Lello's secretary, to the Sultana Safiye.

Lello wrote a letter around this time to Sir Robert Cecil, in which he mentioned Safiye's gift. He wrote that "the coach must of necessity be given to the old Sultana because it hath been brutted (announced) here long agone by some out of England that her Highness had ordained the same for her. " The Sultana had already instructed t order two horses from her own stables to draw the coach when it was ready. Lello made no specific mention of the organ.

Dallam would make the journey into the Topkapi Sarayi (palace) on several occasions as he reassembled and fine-tuned the organ. Lello told Dallam that the Sultan was "a monarch but an infidel, and the grand enemy to all Christians. What we or any other Christians can bring unto him he doth think that we do it in duty or in fear of him, or in hope of some great favor we expect at his hands." Lello warned Dallam that Mehmed III would give him no greater reward than the fee he had already been paid by the English government. He also suggested that Mehmed had no intention of seeing the creator of his gift.

At the top of the organ was a model of a holly bush filled with blackbirds and thrushes. At the end of the automatic organ-playing, these "did singe and shake theire wynges". Dallam noted that the Sultan was enthralled by the gift. Mehmed asked his vizier if the machine would ever repeat the performance. When told it would do the same an hour later, the Sultan decided to stay and witness the performance.

The organ was designed to automatically play only once every six hours, but Dallam had told the adviser where there was a pin in the machine. When the organ's clock chimed on the hour, all he had to do was touch the pin and the carillon, drum rolls and musical mechanics would start again. This was done.

The Sultan sat by the keys, watching them move. When he was told that the organ could be played by hand, Dallam was summoned back into the room. He wrote: "I stood there, playing such thing as I could until the clock struck, and then I bowed my head as low as I could, and went from him..." Dallam's performance was well-rewarded. Mehmed took 45 pieces of gold from behind him, and ordered the gate-keeper to give it to the organ-maker.

Within days, someone had tampered with the organ, and Dallam was summoned to return to reset the mechanisms. Shortly after this, Dallam was invited by one of the Sultan's officials to have a special tour of the "privy chambers" at the palace. Over three days Dallam was shown around parts of the palace no outsider had seen. He saw the Sultan' bed-chamber, the private bath-houses and archery butts, and the rooms where royal gifts were stored.

On one occasion at a marble-paved courtyard, his guide indicated a grille set into a large wall. The guide urged Dallam to look through it. "When I came to the grate the wall was very thick, and grated on both sides with iron very strongly, but through that grate I did see thirty of the Grand Senior's concubines that were playing in another court."

Dallam was transfixed. The women were "verrie prettie ones in deede." They wore small satin jackets and their lower parts were clad in white drawers so thin that "I could discern the skin of their thighs through it."

"I stood so long looking upon them that he which had showed me all this kindness began to be very angry with me. He made a wry mouth, and stamped with his foot to make me give over looking; the which I was very loathe to do, for that sight did please me wondrous well."

Thomas Dallam was treated well by the Sultan and his officials. Apart from his brief glimpse of the concubines, he obeyed the rules which were ordered. He would downward in the presence of the Sultan or a senior official, and when leaving the noble's presence he walked backwards.

In England there was ambivalence towards the Turkish empire at this time, even though trade was being encouraged with the Ottomans. Shakespeare (1564 - 1616) would call the Ottomans "Ottomites" in his play Othello, first performed in 1606: "Are we turned Turks, and to ourselves do that

Which Heaven hath forbid the Ottomites?" (II.iii.169-70)

For most people in Europe, even when trade was taking place, the Turks were feared. The concubines in Mehmed III's harem were mostly Christians who had been abducted by corsairs (pirates). The coasts of Europe from the 15th century onwards were prey to the marauding of corsairs from north Africa. The rulers of these nations - Morocco, Tripoli, Algiers, Libya, were vassals of the Ottomans. Entire populations of some coastal towns were abducted into slavery.

The Ottomans themselves encouraged such plunder and slavery. The "Barbary corsairs" would attack targets in Ireland, Scandinavia and even attack whaling vessels off Newfoundland. The Ottomans would plunder ships and take crew members to work as galley slaves.

On October 15, 1579, in a response to Murad III concerning the future ambassador William Harborne, Queen Elizabeth herself expressed concern about the English sailors who had been taken as galley slaves by the Ottomans. She addressed the Sultan as "the most imperial and invincible prince" and wished him "many happy and fortunate years, with abundance of the best things." She nonetheless was obliged to end her letter with the following:

"Moreover the signification and assurance of your highness' great affection to us and our nation, doth cause us also to entreat and use mediation on the behalf of certain of our subjects, who are detained as slaves and captives in your Galleys...."

The lives of galley slaves were both arduous and humiliating. Those forced to work the oars on the galleys were stripped naked. Few had any chance of improving their status with their captors or gaining their freedom.

In part two, using contemporary and first-hand accounts where possible, I will describe how the Ottomans deliberately inspired dread in the cultures of Europe.

Additional Sources:

Richard Hakluyt: "The Principall Navigations, Voyages, Traffiques and Discoveries of the English Nation", London, 1589 Stanley Mayes: "An Organ For the Sultan", Putnam, London, 1956

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